![]() All they care about is whether it is good music - whether it is challenging and exciting.”įor more than five decades, Corea modified his sound to follow that simple maxim - chasing whims from bebop to free jazz to fusion to contemporary classical. Musicians don’t care if a given composition is jazz, pop or classical music. A style is not something you learn so much as something that you synthesize. “Nobody sits down and decides to specifically write in a predetermined style. “After all, formal styles are only an afterthought - an outgrowth of the creative impulse,” Corea told The New York Times in 1983. But no description, even one this broad, can encompass a vision so limitless. Whether on his own, leading the collective Return to Forever or accompanying giants like Miles Davis (on landmark albums including “In a Silent Way” and “Bitches Brew”), Corea helped enrich the lexicon of jazz - merging its harmonic language with the heaviness (and amplification) of rock and funk. Chick Corea, the pioneering keyboardist and bandleader who died on Tuesday at 79, will be forever regarded as a crucial architect of jazz-rock fusion. ![]()
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